Why should the bride have all the fun?! Check out some of the very fashionable wedding guests from Eunice and Daniel's wedding (featured on 100 Layer Cake)!
Photos by Gia Canali.
Real wedding: Erin and Jeremy
We are thrilled to report that the wedding of Eunice's best friend, Erin and her new hubby, Jeremy, is featured on Style Me Pretty today!
It was a truly fabulous and fun affair, designed by Alison Events, with lots of ingenious details, including a vintage card catalog that acted as the seating guide. Each guest's card was cross-referenced with other guests according to interests, life history, etc....
...and possibly the most amazing and hilarious first dance - done to Hey Soul Sister by Train and including the Beyoncé's signature move from All the Single Ladies (need we say more?)...
...a photo booth by Magnolia Photo Booth - always a huge hit at any party...
We collaborated with Erin and Jeremy to come up with a charming array of stationery inspired by vintage ephemera and McSweeny's. The invitation was supposed to look like a page torn from a book...
The replies were Mad Libs fashioned to look like an old school Western Union telegram...
And the programs, designed to look like a vintage book...
This was one of our favorite projects so far this year! We really loved their creativity and sense of fun.
Real wedding: Vanessa and Cayman
Vanessa and Cayman's beautiful Carmel Valley wedding took place at Holman Ranch and featured our Heartland design! Event planner Shannon Leahy worked with the couple to create an elegant, rustic event.
See more photos here. Photos by Emily Merrill.
A purple-themed picnic
Check out this picnic-themed inspiration shoot featured on the Southern Weddings blog! We created all the paper products to go with the floral theme.
See all the photos here.
Photos by Larissa Cleveland.
Equestrian Wedding
We were incredibly honored when photographer Larissa Cleveland and planner Shannon Leahy asked us to participate in an equestrian themed photo shoot at the stunning Arastradero Preserve in Palo Alto.
We created invitations, reply cards, place cards, programs, and pony ride tickets complete with horseshoe motifs, gingham patterns and classic fonts.
Vintage prize show ribbons added to the rustic theme.
Even the cake used horseshoes as decoration!
See more photos at Snippet & Ink (thanks Kathryn!), as well as a list of participating vendors.
Sarah & Matt on Style Me Pretty
One of our favorite wedding blogs, Style Me Pretty, recently featured Sarah and Matt's 2007 wedding showcasing their vintage style and love of tall ships. We designed and letterpress printed their invites (above) and the couple embellished them using wax paper, baker's twine and a wax seal.
See the entire gallery here. All photos by Julie Mikos.
Real Wedding: Lily and Andrew
Did you see Lily and Andrew's breathtaking wine country wedding on Style Me Pretty? Can you say gorgeous? We worked with the bride and groom to create all their paper products - from the save the dates to the place cards, and everything in between. Inspired by our Classic Cowboy, Heartland and Biltmore wedding designs, we created a unique suite that fit their rustic chic theme perfectly.
The wedding was a true family affair. Andrew's cousin Jocelyn Arelt was their wedding planner, and Andrew's aunt, Valerie Arelt, did all the flowers!
The wedding and reception took place in the Sonoma Valley, at Lily's parents ranch. It was 106 that day! The ceremony took place in the middle of an oak grove.
Guests enjoyed dinner catered by the Jimtown store in a Zephyr tent.
Lily wore a Monique Lhuillier dress and Andrew donned a Thomas Pink suit.
Many, many congrats to Lily and Andrew!!!
All photographs by Verite Photography. For more stunning images, please click here.
Jimbo Trout and the Fishpeople
Eunice and Daniel wanted their music to reflect the rustic surroundings of their wedding venue, so local bluegrass band Jimbo Trout and the Fishpeople fit the bill perfectly. They welcomed guests as they arrived to the ceremony, and later played along with the square dance caller after dinner. They even got the father of the bride (below) to join them on mandolin!
Photos by Sara Remington and Gia Canali.
Wilbur Hot Springs
Wilbur Hot Springs (the location of Eunice and Daniel's wedding) is a 20-room historic hotel, built in 1915, surrounded by an 1800-acre private nature preserve, and includes soothing natural hot springs. Wilbur is run 100% off the grid, powered entirely by solar panels and propane. This beautiful and serene location was the perfect spot for the wedding - the hotel could house the couples family and friends, and the vast surrounding fields were perfect to set up a brightly painted stage, rustic farm benches and enormous white tent. Wilbur is located about three hours northeast of San Francisco and is a perfect stop for a relaxing weekend of hiking, soaking in the hot springs and good ol' R&R!
Photos by Sara Remington, Gia Canali and Shauna Leytus.
Ring pillow
Yet another (!) fabulous element from Eunice and Daniel's wedding was this handmade ring pillow. Designed by Eunice & Tricia Roush of House of Nines Design, this ring pillow can be yours! Read on for complete how-to instructions...
In addition to the pillow, Tricia also made the cockades for the groomsmen. Learn more about Tricia and her impressive millinery skills here, and visit her etsy site here.
Pin-tucked Ring Pillow How-to Guide
This linen ring pillow is decorated with pin tucks and a narrow pleated edge. We used seam tape, an inexpensive, delicate ribbon that is available in a range of pretty colors, for the edging and to tie the rings onto the pillow.
You'll Need
Materials (Makes 1 ring pillow)
1/4 yard linen 1/4 yard medium-weight quilting cotton in a light, solid color (no patterns) 1 bag fiberfill 3 yards 1/2" seam tape or ribbon, or 1 yard pre-pleated edge trim 1 yard 1/8" seam tape or ribbon Thread to match the linen
Tools
Quilting ruler Rotary cutter Sewing machine, and/or sewing needle Steam iron Scissors Straight pins Light colored tailor's chalk or chalk pen, like the Clover Pen-Style Chaco Liner Circle template with a 1" circle (optional)
How to: 1. Make the pillow insert. It's important to make a pillow insert to ensure that the lumps in the fiberfill don't show through the fabric of your finished product.
Using your rotary cutter, cut 2 squares of medium-weight cotton measuring 8.25" x 8.25." This will result an insert that is 7.75" x 7.75", for an 8" x 8" ring pillow (1/2" is used for a seam allowance). If you would like your ring pillow to be a different size, use the following formula: Canvas insert = Finished size + 1/4". Ring pillow = Finished size +1/2".
On the wrong side of one of the pieces, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 7.75" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid. Layer the 2 squares one on top of the other, wrong side out. Starting about two inches in from one of the corners, sew using a running stitch on the chalk line, at 1/4" in from the edge along 3 sides plus about two inches at either end of the fourth side, leaving a gap in the center of the fourth side wide enough to slip your hand into. You can do this using a sewing machine, or by hand. Tie a knot and cut the thread. Cut off the excess fabric at the corners in a rounded shape to parallel the seam, leaving 1/4" for seam allowance. Turn right side out. Gather a handful of fiberfill. Pull apart to smooth out any lumps. Gently stuff into the pillow insert, using enough fiberfill to get a padded, but not overstuffed shape. Sew the open side shut using a ladder stitch.
2. Make the ring pillowcase top. Using your rotary cutter, cut 1 rectangle of linen measuring 8.5" x 12.5". To make the pin tucks (Figure 1): Lay the rectangle out in front of you, right (exterior) side up, with the long edges running from side to side. Starting at 2.5" from the left side edge, using the ruler and chalk, mark 16 vertical lines on the linen from top to bottom, every half inch. Starting with the first two chalk lines on the left, fold the linen matching the first line to the second, with the ridge of the tuck sticking out on the right (exterior) side. Pin in place and sew from top to bottom along the joined chalk lines with a running stitch, and iron the tuck toward the left edge of the pillow. Repeat this process with the third and fourth chalk line, and so on across the face of the pillow top until you have created 8 tucks. The pillow top should now measure 8.5" square.
On the wrong side of the pillow top piece, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 8" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid.
3. Make the pleated edging. Lay out your 1/2" seam tape and starting from one end, measure 1/2" to the right, make a mark. From there measure 1/4" over & mark. Measure 1/2" from there, mark, move another 1/4", mark. See the pattern? You're making a series of 1/2" and 1/4" wide sections. Keep going until you reach the end.
Once all the pleats are marked, snip at each mark (a very tiny snip, needless to say). Fold the first pleat by pinching together the two sides of the first 1/2" segment and folding it down to the right so that the fold meets up with the next 1/4" mark. Stitch in place. Continue along, holding each pleat in place while you sew it down. You can also pin all the pleats down first and then run them through the sewing machine.
To save time, pre-pleated edging may be used instead.
4. Make the ring pillowcase bottom and attach the edging. Using your rotary cutter, cut 1 square of linen measuring 8.5" x 8.5."
On the right (exterior) side of the pillowcase bottom piece, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 8" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid.
Lay the pillowcase bottom in front of you, right (exterior) side up. Place one end of the edging along one edge of the fabric, with the edging's sewn edge facing toward the outer edge of the fabric, and the ruffled edge facing the center of the pillow. The stitch line on the edging should be positioned at 1/8" in from the edge of the fabric. Leaving a 'tail' of about edging about 1" long free at the beginning, sew the edging to the pillow bottom all the way around, following the rounded corners as you go, stopping when you are about 1" before the place where the beginning and end of the edging will overlap. If sewing by machine, remove the piece from the machine and cut the thread ends off. To create a seamless look to the place where the edging joins, cut off any excess from the beginning and end of the edging, leaving 1/2" extra on for overlap. Where the two ends meet, fold the overlap over so that the join is covered and hidden in the fold. Iron lightly and pin in place. Sew the remainder of the edging down as before, joining the beginning and end as you attach them to the pillowcase bottom. Remove the pin, tie off and cut off thread ends.
5. Complete the ring pillowcase. Layer the 2 squares one on top of the other, wrong side out. Starting about two inches in from one of the corners on a side without pin tucks, sew using a running stitch on the chalk line, at 1/4" in from the edge along 3 sides plus about 2 inches at either end of the fourth side, leaving a gap in the center of the fourth side wide enough to slip your hand into. You can do this using a sewing machine, or by hand. You'll be sewing through both layers of the pillowcase, plus the pleated edging near its sewn edge. Tie a knot and cut the thread. Cut off the excess linen at the corners in a rounded shape to parallel the seam, leaving 1/4" for seam allowance. Turn right side out. The pleated edging should form a ruffle around the outside seam of the pillow. Fold the raw edges of the gap along the chalk lines (1/4" in from the edge), and gently press the folds flat with the iron to set them in place. Slip the pillowcase over the canvas pillow insert. Using the sewing needle and a slip stitch, stitch the gap closed. Tie a small, neat knot and cut the thread. Brush off any chalk that still shows on the pillow.
Cut two pieces of the 1/8" ribbon about 1 foot long each, and using a small, neat stitch and knot, attach them near their centers to the center of the ring pillow top.
Download the template here.
Flower Girls Crown
At Eunice's wedding, Lily sported an adorable sparkly crown to complete her sweet flower girl ensemble. Want to make one for your flower girl? Read on for our free how-to guide!
Photography by Gia Canali & Sara Remington
Glass Glitter Crown How-to Guide
You'll Need: (Makes 1 crown)
- Crown template
- Scissors or craft knife, ruler and cutting mat
- 16 in. x 6 in. piece of chipboard
- Pen or pencil
- Piece of copy paper, or a file folder
- Craft glue
- Glue brush
- Glitter (we used glass glitter from here)
- Stapler
- 2 sheets crepe paper scraps in gold and fuchsia, at least 6 in. x 10 in.
- Hot glue gun
- 2 17-in. pieces of 3/8-in. ribbon
How to:
- Make the crown. Cut out the template, trace crown pattern onto a piece of chipboard at least 16 in. long x 6 in. wide. Cut out the crown using scissors or a craft knife, ruler and cutting mat.
- Glitter the crown. Fold a piece of paper in half, open it back up and lay it flat on your work surface (or lay an open file folder on your work surface). You will use this to protect your work surface from glue and to collect excess glitter. Lay one end of the crown on the paper. Using a brush, apply a generous layer of white glue over a 3-in. section of the crown and cover entire area with glitter. Lift crown and flick the back to release excess glitter. Fold the paper in half and return excess glitter to its pot. Repeat this process until the entire crown is glittered. For each new section overlap the glue on the previous glittered section about 1/4-in. to insure thorough coverage. Allow to dry completely.
- Add the rosettes. Using scissors, cut a piece of 1-in. x 1-in. scrap crepe paper. This will serve as a backing for assembling each rosette. Cut a 1-in. x 10-in. strip of gold crepe paper, with the grain (the creases in the paper) running in the short direction. Accordion fold along the grain into 1/4-in. sections. When the entire strip is folded, align the two ends, pinch the center and allow the outer edges to flair. Holding center in place, squeeze a drop of hot glue onto the scrap paper. Press the center of the rosette onto the glue and hold in place until it dries. Cut a 1/4-in. x 3-in strip of fuchsia crepe paper and accordion fold into 1/8-in. sections, and pinch into a rosette. Apply a dab of hot glue to the center of the larger gold rosette, and press the small rosette down into it. Repeat of each rosette. When all 5 rosettes are complete, center each one below a point in the crown and hot glue the backing to the crown.
- Finish the crown. Match the ends of the crown together and staple into place. Cut two 17" pieces of 3/8" ribbon and glue one piece to the inside of each side of the crown with a hot glue gun.
Download the DIY template here.
An array of accessories
More details from Eunice and Daniel's wedding! Eunice embellished her Steve Madden flats with vintage shoe clips found at the Alameda flea market, one of our favorite sources for vintage ephemera in the bay area. She also purchased woodland animal brooches from Poodle Breath for her bridesmaids.
The story of a dress
We've gotten so many comments about Eunice's fabulous wedding dress! She came up with the original design of her dress and made a sketch with a rough idea of what she was looking for.
She then handed the sketches off to Iain Bartlett (also know as H!L UK Sales manager), trusting him implicitly to turn them into the fabulous concoction that he came up with. He hand-stitched all those ruffles on (literally hundreds), and made a beautiful petticoat from raw silk and this amazing fabric made of bits of netting -- it looked like the under skirt was trimmed in feathers.
Stunning!
It's all in the details
In addition to stationery, playing cards, custom stage and a multitude of other items, Eunice also designed a bunch of smaller pieces that served to tie her wedding together, including the signage and labels for slippers (above) and packages for confetti (below).
A custom wine label featured two stags and a cheeky name.
Drink flags added color to cocktails.
Fun labels helped identify unique condiments on the dinner table.
A cute sign indicated the couples signature cocktail (you can find the recipe here!).
Eunice also designed labels for popcorn boxes and donut holes - yum!
Read on for how-to instructions for the donut hole labels, jelly labels, and slipper labels. We'd love to see your photos if you make your own!!
Slipper Labels How-to Instructions
You'll Need:
- Slipper Label Template
- Inkjet printer
- 8 1/2" x 11" label stock (we used Strathmore writing label in Natural White) (8 labels per sheet, calculate quantity accordingly - we recommend allowing a few extra sheets for misprints and other mistakes)
- Craft knife
- Ruler
- Cutting mat
- Corner Rounder (optional)
- Slippers in various sizes (we got ours in Chinatown - cheap and cheerful!)
How to:
- Fill out the labels. Open the labels in Adobe Acrobat. Fill in your information (you will need to have the fonts Rosewood and Buckle Bold, available through http://www.myfonts.com, installed on your computer. If not, a default font will be used).
- Print labels. On your ink jet printer, print out the labels.
- Trim labels. With your craft knife and a ruler, cut out labels, aligning the ruler to the crop marks.
- Round corners. (optional) Round all four corners on each label with a corner rounder.
- Apply labels. Peel backing from each label and apply to the center of the insole of each slipper, centering from side to side and top to bottom as you see fit (we applied the label to cover up the branding on the slipper's insole).
Download the template here.
Gypsy Pepper Jelly Label How-to Instructions
You'll Need:
- Gypsy Pepper Jelly Label Template
- Inkjet printer
- 8 1/2" x 11" label stock (we used Strathmore writing label in Bright White) (4 labels per sheet, calculate quantity accordingly - we recommend allowing a few extra sheets for misprints and other mistakes)
- Fiskars rotary trimmer
- Craft knife or straight blade on the rotary trimmer
- Ruler
- Cutting mat
- 8oz jelly jars
- 1/4" corner rounder (available at arts & crafts stores) - optional
How to:
- Print the labels. On your ink jet printer, print out the labels.
- Trim the labels. With your craft knife and a ruler, cut out labels, aligning the ruler to the crop marks. This can also be done on your rotary trimmer with a straight blade.
- Round the corners (optional). Round all four corners on each label with a corner rounder.
- Apply the labels. Peel backing from each label and apply to a jelly jar, centering from size to side and top to bottom as you see fit.
Download the template here.
Recipe for Sweet Gypsy Paper Jelly
Ingredients
- 1 1/2 lb gypsy peppers cut into 1-inch pieces (6 cups)
- 2 teaspoons dried hot red-pepper flakes
- 3 tablespoons Sure-Jell less- or no-sugar-needed pectin (from a 1 3/4-oz box)
- 3 1/4 cups sugar
- 1 cup apple cider vinegar
- 1 tablespoon unsalted butter
- 3/4 teaspoon salt
How to:
- Pulse gypsy peppers with red-pepper flakes in a food processor until finely chopped. (Mixture will measure about 2 1/2 cups.)
- Whisk together pectin and 1/4 cup sugar in a small bowl.
- Stir together pepper mixture, vinegar, butter, salt, and remaining 3 cups sugar in a 5- to 6-quart heavy pot. Bring to a vigorous boil over high heat, then continue to boil vigorously, stirring occasionally, 5 minutes. Gradually add pectin mixture, whisking constantly. Return jelly to a vigorous boil, stirring constantly, and boil, stirring constantly, 1 to 2 minutes (mixture will thicken slightly). Remove from heat. Season to taste.
- Fill processed jars and store.
You'll need:
- Inkjet printer
- 8 1/2" x 11" card stock in white or ecru
- Craft knife
- Ruler
- Cutting mat
- 1 1/2" ribbon long enough to hang the sign
- Scissors
Drink Sign How-to Guide
How to:
- Print the sign. On your ink jet printer, print out the labels.
- Trim the labels. With your craft knife cut out the sign along the light grey outline. Use a ruler to cut slots on either side for threading the ribbon.
- Thread ribbon and hang the sign. Cut an appropriate length of ribbon and thread through the cut slots in the sign. Starting on one side, thread the ribbon through the front and out the back. Bring the ribbon across the back of the sign and thread it through the second slot, from back to front. Pull the ribbon through so that the sign is centered and tie around your drink container.
Download the template here.
Donut Hole Bags How-to Guide
You'll need:
- Inkjet printer
- 8 1/2" x 11" label stock (we used Strathmore writing label in Bright White) (4 labels per sheet, calculate quantity accordingly - we recommend allowing a few extra sheets for misprints and other mistakes)
- Fiskars rotary trimmer with scalloped blade
- Craft knife or straight blade on the rotary trimmer
- Ruler
- Cutting mat
- 1/4 lb glassine pastry bags available at PaperMart
How to:
- Print the labels. On your ink jet printer, print out the labels.
- Trim the labels. With your craft knife and a ruler, cut out labels, aligning the ruler to the crop marks. This can also be done on your rotary trimmer with a straight blade.
- Trim the glassine bags. With a scalloped blade in your rotary trimmer, trim the top and bottom 1/4" off the glassine bags for a cute scalloped edge.
- Apply the labels. Peel backing from each label and apply to a glassine bag, centering from size to side and top to bottom as you see fit (we applied the label centered from side to side and closer to the bottom of the bag).
Download the template here.
Happy crafting!
Playing cards
We've gotten a number of inquiries about the playing cards from Eunice and Daniel's wedding. Designed by Eunice, they were given out as favors for wedding guests. There are a handful left and we've put them up for sale on our website. Perfect for a rousing match of Go Fish! Available here.
Cake Topper
One of the most unique elements of Eunice and Daniel's wedding was their adorable cake topper (featured on the Martha Stewart show!). Lian of Publique Living took the illustration of the couple from their save the date poster and laser cut it out of basswood. It was then stained a deep indigo with calligraphy ink, and mounted onto a styrofoam base covered in a pale green metallic crepe paper and trimmed with two tones of fuchsia grosgrain ribbon. The arch was created using floral wire, crepe paper, and tiny crepe paper flowers. The actual cake was made by Kelly Zubal of Inticing Creations.
Michele Papineau calligraphy
The stunning calligraphy gracing the cover of the current Martha Stewart Weddings was completed by Michele Papineau, one of our favorite calligraphers.
In addition to the favor crackers (above), Michele also wrote out the evenings menu on colorful chalkboards that were hung inside the tent.
To see more of Michele's beautiful work, please click here.
Because We Can
We've mentioned Because We Can before, but the pieces that they created for Eunice and Daniel's wedding are worth mentioning again! In addition to the prop mustaches and word bubbles used for the photo booth, they also created the amazing stage that the ceremony was performed on. Inspired by Joel Dewberry's Woodland Damask pattern (also used on the invitations!), the stage was made of all sustainable wood or recycled fiber with water-based glue and finished with eco-friendly paint, hand painted by the couple and their friends (read more about the process here).
Additionally, Because We Can also created an array of shadow puppets for guests to carry during the parade to the ceremony site. They even created a white unicorn for Daniel (above)!
Below, Because We Can founders Jillian and Toast enjoy the wedding festivities.
Magnolia Photo Booth
One of the highlights of Eunice & Daniel's wedding was the photo booth from Magnolia Photo Booth. Guests of all ages absolutely loved it! In lieu of a traditional guest book, guests put their photos into an album with photo corners -- the photos were also posted online after the wedding.
A key to the fun was providing all kinds of creative and funny props, which we hung on the trunk of a tree...
A mad hatter hat with bunny ears...
Chalk board word bubbles and mustaches designed by Hello!Lucky and fabricated by Because We Can.
The bride and groom!
Eunice & Daniel's Wedding Stationery
Since we're stationers, paper played a big role in designing Eunice & Daniel's wedding. The first piece of inspiration was Rob Ryan, the whimsical London-based paper artist. Eunice illustrated this letterpress save-the-date poster featuring silhouettes of her and Daniel, and their two dogs Indie and Simon, along with a save-the-date for their London reception.
We used the silhouettes again to create a DIY cake topper, with the silhouettes laser cut out of balsa wood by our pals at Publique Living, and embellished with crepe paper flowers.
The wedding invitations were a variation Woodland Damask wedding invitation, created in collaboration with pattern designer Joel Dewberry inspired by his Deer Valley collection. The wedding invitations and save the dates were letterpress printed, while the details booklets and programs were digitally printed.
We used the pattern to create these program paddle fans, which doubled to keep guests cool during the ceremony...
...as well as these glassine confetti pouches, a tribute to the Beatle's All You Need is Love, Eunice & Daniel's exit song.
Check out more of the behind-the-scenes details on the Martha Stewart Weddings blog here.
Photos by Adi Nevo (stationery), Gia Canali and Sara Remington.