Dayna & Ian's Eco-Friendly Wedding

vintage-3-piece-suit-men-wedding7 We are swooning over Dayna & Eric's adorable eco-friendly wedding in Orlando, Florida - all the earthy and homespun details tie together beautifully...

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They used our Home Sweet Home invitation set - we love how perfectly it suits the look of their wedding...it's always such a thrill to see how our clients integrate our work into their big day...

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Cuteness abounds!  See all the details and hear the whole story at Ruffled...

Real Wedding: Lily and Andrew

lilyandandrew_veritephotography023 Did you see Lily and Andrew's breathtaking wine country wedding on Style Me Pretty? Can you say gorgeous? We worked with the bride and groom to create all their paper products - from the save the dates to the place cards, and everything in between. Inspired by our Classic Cowboy, Heartland and Biltmore wedding designs, we created a unique suite that fit their rustic chic theme perfectly.

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The wedding was a true family affair. Andrew's cousin Jocelyn Arelt was their wedding planner, and  Andrew's aunt, Valerie Arelt, did all the flowers!

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The wedding and reception took place in the Sonoma Valley, at Lily's parents ranch. It was 106 that day! The ceremony took place in the middle of an oak grove.

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Guests enjoyed dinner catered by the Jimtown store in a Zephyr tent.

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Lily wore a Monique Lhuillier dress and Andrew donned a Thomas Pink suit.

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Many, many congrats to Lily and Andrew!!!

All photographs by Verite Photography. For more stunning images, please click here.

Bits, Glorious Bits!

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We're always on the lookout for fabulous details that might be used to add little touches of flair to wedding or party design.

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We came across The Gilded Bee via the lovely Head vs. Heart.  This adorable little shop has a selection of bits'n'bobs that would be a perfect addition to favors, cake décor, or...we're sure there are a multitude of uses to be had! Love this bit of ruffle...

poppies

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Handy little tags!

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Butterflies in a myriad of colors...all available here!

Ring pillow

1509lucky-8066 Yet another (!) fabulous element from Eunice and Daniel's wedding was this handmade ring pillow. Designed by Eunice & Tricia Roush of House of Nines Design, this ring pillow can be yours!  Read on for complete how-to instructions...

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In addition to the pillow, Tricia also made the cockades for the groomsmen. Learn more about Tricia and her impressive millinery skills here, and visit her etsy site here.

Pin-tucked Ring Pillow How-to Guide

This linen ring pillow is decorated with pin tucks and a narrow pleated edge. We used seam tape, an inexpensive, delicate ribbon that is available in a range of pretty colors, for the edging and to tie the rings onto the pillow.

You'll Need

Materials (Makes 1 ring pillow)

1/4 yard linen 1/4 yard medium-weight quilting cotton in a light, solid color (no patterns) 1 bag fiberfill 3 yards 1/2" seam tape or ribbon, or 1 yard pre-pleated edge trim 1 yard 1/8" seam tape or ribbon Thread to match the linen

Tools

Quilting ruler Rotary cutter Sewing machine, and/or sewing needle Steam iron Scissors Straight pins Light colored tailor's chalk or chalk pen, like the Clover Pen-Style Chaco Liner Circle template with a 1" circle (optional)

How to: 1. Make the pillow insert. It's important to make a pillow insert to ensure that the lumps in the fiberfill don't show through the fabric of your finished product.

Using your rotary cutter, cut 2 squares of medium-weight cotton measuring 8.25" x 8.25." This will result an insert that is 7.75" x 7.75", for an 8" x 8" ring pillow (1/2" is used for a seam allowance). If you would like your ring pillow to be a different size, use the following formula: Canvas insert = Finished size + 1/4". Ring pillow = Finished size +1/2".

On the wrong side of one of the pieces, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 7.75" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid. Layer the 2 squares one on top of the other, wrong side out. Starting about two inches in from one of the corners, sew using a running stitch on the chalk line, at 1/4" in from the edge along 3 sides plus about two inches at either end of the fourth side, leaving a gap in the center of the fourth side wide enough to slip your hand into. You can do this using a sewing machine, or by hand. Tie a knot and cut the thread. Cut off the excess fabric at the corners in a rounded shape to parallel the seam, leaving 1/4" for seam allowance. Turn right side out. Gather a handful of fiberfill. Pull apart to smooth out any lumps. Gently stuff into the pillow insert, using enough fiberfill to get a padded, but not overstuffed shape. Sew the open side shut using a ladder stitch.

2. Make the ring pillowcase top. Using your rotary cutter, cut 1 rectangle of linen measuring 8.5" x 12.5". To make the pin tucks (Figure 1): Lay the rectangle out in front of you, right (exterior) side up, with the long edges running from side to side. Starting at 2.5" from the left side edge, using the ruler and chalk, mark 16 vertical lines on the linen from top to bottom, every half inch. Starting with the first two chalk lines on the left, fold the linen matching the first line to the second, with the ridge of the tuck sticking out on the right (exterior) side. Pin in place and sew from top to bottom along the joined chalk lines with a running stitch, and iron the tuck toward the left edge of the pillow. Repeat this process with the third and fourth chalk line, and so on across the face of the pillow top until you have created 8 tucks. The pillow top should now measure 8.5" square.

On the wrong side of the pillow top piece, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 8" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid.

3. Make the pleated edging. Lay out your 1/2" seam tape and starting from one end, measure 1/2" to the right, make a mark. From there measure 1/4" over & mark. Measure 1/2" from there, mark, move another 1/4", mark. See the pattern? You're making a series of 1/2" and 1/4" wide sections. Keep going until you reach the end.

Once all the pleats are marked, snip at each mark (a very tiny snip, needless to say). Fold the first pleat by pinching together the two sides of the first 1/2" segment and folding it down to the right so that the fold meets up with the next 1/4" mark. Stitch in place. Continue along, holding each pleat in place while you sew it down. You can also pin all the pleats down first and then run them through the sewing machine.

To save time, pre-pleated edging may be used instead.

4. Make the ring pillowcase bottom and attach the edging. Using your rotary cutter, cut 1 square of linen measuring 8.5" x 8.5."

On the right (exterior) side of the pillowcase bottom piece, using the ruler and chalk, mark a line at 1/4" in from each of the edges. You have drawn a square, centered on the fabric, that measures 8" square. Using the circle template and chalk, round off the corners of the chalk square. If you don't have a circle template, try using a round household item, such as a jar lid.

Lay the pillowcase bottom in front of you, right (exterior) side up. Place one end of the edging along one edge of the fabric, with the edging's sewn edge facing toward the outer edge of the fabric, and the ruffled edge facing the center of the pillow. The stitch line on the edging should be positioned at 1/8" in from the edge of the fabric. Leaving a 'tail' of about edging about 1" long free at the beginning, sew the edging to the pillow bottom all the way around, following the rounded corners as you go, stopping when you are about 1" before the place where the beginning and end of the edging will overlap. If sewing by machine, remove the piece from the machine and cut the thread ends off. To create a seamless look to the place where the edging joins, cut off any excess from the beginning and end of the edging, leaving 1/2" extra on for overlap. Where the two ends meet, fold the overlap over so that the join is covered and hidden in the fold. Iron lightly and pin in place. Sew the remainder of the edging down as before, joining the beginning and end as you attach them to the pillowcase bottom. Remove the pin, tie off and cut off thread ends.

5. Complete the ring pillowcase. Layer the 2 squares one on top of the other, wrong side out. Starting about two inches in from one of the corners on a side without pin tucks, sew using a running stitch on the chalk line, at 1/4" in from the edge along 3 sides plus about 2 inches at either end of the fourth side, leaving a gap in the center of the fourth side wide enough to slip your hand into. You can do this using a sewing machine, or by hand. You'll be sewing through both layers of the pillowcase, plus the pleated edging near its sewn edge. Tie a knot and cut the thread. Cut off the excess linen at the corners in a rounded shape to parallel the seam, leaving 1/4" for seam allowance. Turn right side out. The pleated edging should form a ruffle around the outside seam of the pillow. Fold the raw edges of the gap along the chalk lines (1/4" in from the edge), and gently press the folds flat with the iron to set them in place. Slip the pillowcase over the canvas pillow insert. Using the sewing needle and a slip stitch, stitch the gap closed. Tie a small, neat knot and cut the thread. Brush off any chalk that still shows on the pillow.

Cut two pieces of the 1/8" ribbon about 1 foot long each, and using a small, neat stitch and knot, attach them near their centers to the center of the ring pillow top.

Download the template here.

Flower Girls Crown

1156lucky-6175 At Eunice's wedding, Lily sported an adorable sparkly crown to complete her sweet flower girl ensemble. Want to make one for your flower girl? Read on for our free how-to guide!

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Photography by Gia Canali & Sara Remington

Glass Glitter Crown How-to Guide

You'll Need: (Makes 1 crown)

  • Crown template
  • Scissors or craft knife, ruler and cutting mat
  • 16 in. x 6 in. piece of chipboard
  • Pen or pencil
  • Piece of copy paper, or a file folder
  • Craft glue
  • Glue brush
  • Glitter (we used glass glitter from here)
  • Stapler
  • 2 sheets crepe paper scraps in gold and fuchsia, at least 6 in. x 10 in.
  • Hot glue gun
  • 2 17-in. pieces of 3/8-in. ribbon

How to:

  1. Make the crown. Cut out the template, trace crown pattern onto a piece of chipboard at least 16 in. long x 6 in. wide. Cut out the crown using scissors or a craft knife, ruler and cutting mat.
  2. Glitter the crown. Fold a piece of paper in half, open it back up and lay it flat on your work surface (or lay an open file folder on your work surface). You will use this to protect your work surface from glue and to collect excess glitter. Lay one end of the crown on the paper. Using a brush, apply a generous layer of white glue over a 3-in. section of the crown and cover entire area with glitter. Lift crown and flick the back to release excess glitter. Fold the paper in half and return excess glitter to its pot. Repeat this process until the entire crown is glittered. For each new section overlap the glue on the previous glittered section about 1/4-in. to insure thorough coverage. Allow to dry completely.
  3. Add the rosettes. Using scissors, cut a piece of 1-in. x 1-in. scrap crepe paper. This will serve as a backing for assembling each rosette. Cut a 1-in. x 10-in. strip of gold crepe paper, with the grain (the creases in the paper) running in the short direction. Accordion fold along the grain into 1/4-in. sections. When the entire strip is folded, align the two ends, pinch the center and allow the outer edges to flair. Holding center in place, squeeze a drop of hot glue onto the scrap paper. Press the center of the rosette onto the glue and hold in place until it dries. Cut a 1/4-in. x 3-in strip of fuchsia crepe paper and accordion fold into 1/8-in. sections, and pinch into a rosette. Apply a dab of hot glue to the center of the larger gold rosette, and press the small rosette down into it. Repeat of each rosette. When all 5 rosettes are complete, center each one below a point in the crown and hot glue the backing to the crown.
  4. Finish the crown. Match the ends of the crown together and staple into place. Cut two 17" pieces of 3/8" ribbon and glue one piece to the inside of each side of the crown with a hot glue gun.

Download the DIY template here.

An array of accessories

1178lucky-6251 More details from Eunice and Daniel's wedding! Eunice embellished her Steve Madden flats with vintage shoe clips found at the Alameda flea market, one of our favorite sources for vintage ephemera in the bay area. She also purchased woodland animal brooches from Poodle Breath for her bridesmaids.

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Cake Topper

1397lucky-6358 One of the most unique elements of Eunice and Daniel's wedding was their adorable cake topper (featured on the Martha Stewart show!). Lian of Publique Living took the illustration of the couple from their save the date poster and laser cut it out of basswood. It was then stained a deep indigo with calligraphy ink, and mounted onto a styrofoam base covered in a pale green metallic crepe paper and trimmed with two tones of fuchsia grosgrain ribbon. The arch was created using floral wire, crepe paper, and tiny crepe paper flowers. The actual cake was made by Kelly Zubal of Inticing Creations.

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Michele Papineau calligraphy

MSWesddings_Spring2010_Cover_72dpi The stunning calligraphy gracing the cover of the current Martha Stewart Weddings was completed by Michele Papineau, one of our favorite calligraphers.

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In addition to the favor crackers (above), Michele also wrote out the evenings menu on colorful chalkboards that were hung inside the tent.

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To see more of Michele's beautiful work, please click here.

Because We Can

1222lucky-6137 We've mentioned Because We Can before, but the pieces that they created for Eunice and Daniel's wedding are worth mentioning again! In addition to the prop mustaches and word bubbles used for the photo booth, they also created the amazing stage that the ceremony was performed on. Inspired by Joel Dewberry's Woodland Damask pattern (also used on the invitations!), the stage was made of all sustainable wood or recycled fiber with water-based glue and finished with eco-friendly paint, hand painted by the couple and their friends (read more about the process here).

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Additionally, Because We Can also created an array of shadow puppets for guests to carry during the parade to the ceremony site. They even created a white unicorn for Daniel (above)!

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Below, Because We Can founders Jillian and Toast enjoy the wedding festivities.

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Eunice & Daniel's Wedding Stationery

Eunice and Daniel's Save the DateSTDP_HIGHSEAS_COA-FUC-POO_F_L Since we're stationers, paper played a big role in designing Eunice & Daniel's wedding. The first piece of inspiration was Rob Ryan, the whimsical London-based paper artist. Eunice illustrated this letterpress save-the-date poster featuring silhouettes of her and Daniel, and their two dogs Indie and Simon, along with a save-the-date for their London reception.

Hello!Lucky Wedding Cake

We used the silhouettes again to create a DIY cake topper, with the silhouettes laser cut out of balsa wood by our pals at Publique Living, and embellished with crepe paper flowers.

Woodland Damask Wedding Invitation Suite

The wedding invitations were a variation Woodland Damask wedding invitation, created in collaboration with pattern designer Joel Dewberry inspired by his  Deer Valley collection.  The wedding invitations and save the dates were letterpress printed, while the details booklets and programs were digitally printed.

Hello!Lucky Paddle Fans

We used the pattern to create these program paddle fans, which doubled to keep guests cool during the ceremony...

Confetti pouches

...as well as these glassine confetti pouches, a tribute to the Beatle's All You Need is Love, Eunice & Daniel's exit song.

Check out more of the behind-the-scenes details on the Martha Stewart Weddings blog here.

Photos by Adi Nevo (stationery),  Gia Canali and Sara Remington.

Eunice and Daniel's Wedding, finally!

Eunice and Daniel's Wedding Eunice and Daniel's Wedding

We are SO excited we are to FINALLY be sharing photos from Eunice's wedding! Eunice, as many of you know, is our co-founder and Creative Director and her wedding last May 9 was one of the most unbelievable days ever!

Eunice and Rosette Crown

Eunice looked stunning in a dress of her own design, hand sewn by multi-talented Hello!Lucky London office head Iain Harris Bartlett, with makeup by Meaganne McCandess and headband by pal Jennifer Behr (available right here!).

Eunice and Daniel's Wedding

Eunice and Daniel's Wedding

Tons of our creative friends helped out with the details, including Tricia Roush (top left) of House of Nines Design. Magnolia Photo Booth was one of the highlights - guests had a blast taking mugs with all kinds of hilarious props!  Bottom row, Eunice and Sabrina celebrating the best day ever, and bridesmaid Erin Murphy trying on a tissue paper crown.

Eunice and Daniel's Wedding Puppets

A high point was a Tim Walker-inspired parade featuring animal shadow puppets designed by Eunice, fabricated Jillian and Toast at Because We Can, and then hand-painted!

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Introducing Mr. & Mrs. James!

Martha Stewart Weddings Spring 2010 Cover

Oh, yes! And the reason for the delay in sharing these pics!? The wedding is on the cover of the Spring 2010 issue of Martha Stewart Weddings!!  Check out the full gallery on their website here, and stay tuned for behind-the-scenes blog posts on The Bride's Guide. We'll also be posting lots more behind-the-scenes photos on our blog -- there's just so much great stuff to share!!

Stay tuned for more to come!

Stunning photos by Gia Canali and Sara Remington.

Real Wedding: Amy and Adam

We're so pleased that Amy and Adam's gorgeous Sonoma Wedding was featured on Style Me Pretty this week!  Choosing the beautiful B.R. Cohn Winery as their setting, the couple (best friends since college!), treated their guests to a celebration inspired by the bountiful Sonoma fall harvest.

We love the rustic simplicity of chalkboard directions.

The couple said their "I do's" under one of the oldest trees at the winery.

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We customized Amy and Adam's wedding invitation to reflect their California fall theme. Escort cards and save the dates brought the clean, playfully preppy touches together.

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Simple autumnal flower arrangements by Kathleen Deery Design popped against the white table settings. A beautiful color palette that continued into the night [courtesy of Got Light?]:

The event was catered by Paula LeDuc Fine Catering, where Amy works. Divine! Our congratulations to Amy and Adam!

Photos courtesy of Elle Jae Photography

Real Wedding: Marnie and Brian

Candle lighting at Grace Cathedral We were super excited to be involved in designing for this ceremony! Marni and Brian's wedding is the stuff plush Gothic romances are made of! We love the dark color palette interspersed with more traditional details.

The couple began their ceremony taking a lovers stroll through the labyrinth at San Francisco's hallmark Grace Cathedral, lighting candles as they passed.

Ceremony

They then met up with their guests, who had only been told they were to be driven to the woods, instructions awaiting. Each guest was then welcomed with "survival kits" of edible treats and well-stocked flasks. The understated ceremony took place beneath a simple white canopy in the redwoods of beautiful Muir Woods.

marni & brian letterpress invitations by Hello!Lucky

We started by creating custom designed letterpress invitations which summoned the Victorian details Marni knew she wanted--redwood trees, roses, birds, and Victorian embellishments.

Drink menu by Hello!Lucky

Carrying Marni and Brian's Victorian Gothic theme throughout the events of this two day affair, we also worked to design letterpress programs, menus, seating cards, and cocktail napkins.

Whisky Flask with graphic from H!L

One of our absolutely favorite parts? The couple even had the redwood tree graphic from the invitation etched onto whiskey flasks! Cheers to that!

Reception decor

The following night, Marni and Brian gathered everyone together again, this time for a reception party held in San Francisco at Hamlin Mansion. We love the playfully rich palette of rich green and purple fabrics for the table settings. Built in 1901 in Italian Baroque style, this venue offers stunning views of the Golden Gate Bridge.

Centerpieces

Decked out in whimsical charm, feathers, and purple and magenta accents, we're loving the floral arrangements by Cherries Flowers.

Donuts

Cigars with graphic from invitation on matchbooks

We adore the cigars and doughnut bar by Erin Bell!

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Thanks to Erin Beach, who did an amazing job on photography and Moira Gubbins, the wedding coordinator from Hamlin Mansion.